Vasudha Ravi introduced a effectively -structured concerted program. , Picture Credit score: Particular Association
Vasudha Ravi, who specializes within the songs and bhajan songs, directed the second a part of his live performance with a intimate rendering of ‘Tulsidas Nainan Ananan Anan Siyaram’ in Raga Subhapantri, then recalled MLV after a Veerautham in Sindhuvarvi. Bani, From which he’s associated. This was adopted by a poignant efficiency of ‘Karunai Devem Karpgam’.
In Vasudha’s greater than 20 years of coaching, the best way he structured his two -hour live performance for Kedaram Isai Wija and sang the Critis confidently with the suitable dictionary and intonation.
Artist Akaras Adorned with oscillations which have been generally barely stretched, with a avoidable vibrato, particularly in excessive octas. Vasudha selected a lesser in Raga Gurjari to decide on the Kriti Kriti ‘Gunizathi Natha’.
J. Mridangam of Vaidyanthan was measured and with ChittasvaramOn the proper time. The principle work for the night was Tyagaraja’s ‘Ravinara Nilakada Niku’ in Kalyani. Kalyani’s Vasudha expanded in each Alpana and Nirawal.
Tani Utnam, which J. on Ghatam. Vaidyanathan and H. Prasanna is attribute, easy and effectively coordinated.
Vasudha began her live performance in Severy with the Vanam of Kothawasal Venkatrama Iyer. Chauka Kalam and twine Dhurita Kalam got with poetry. This was adopted by ‘Ram Nannu Brovada’ in Harikamboji. Vasudha’s expressive singing suggests how she inner the music. For instance, in ‘Tappu Panulu Leka UND’, the place the musician requested Rama for security, saying that he was not concerned in any dishonest acts, Vasudha caught feelings within the songs.
The growth of Vasudha of Anandbhairavi was widespread. He sang ‘Marivare Gati’. His intimate rendering for the night additionally included ‘Ganmurhe’ of Tyagaraj in Raga Ganamurti.
He concluded the live performance with Lalguri Jairam’s Thailana in Khamas. R. Raghul’s violin was clear and crisp and was within the sink with the singer all through the live performance.
Lathangi Sisters Live performance was devoted to Tyagaraj
Archana and Samyavi, generally known as Lathgi sisters, watched their live shows on the Kyanegraj Critis. , Picture Credit score: Particular Association
Archana and Samyavi are popularly generally known as Lathgi sisters. Whereas one has a strong voice, the opposite has a candy texture. His presentation centered on Tyagaraja’s compositions and prevented plenty of manodarma.
The artists started with ‘Subilu’ at Raga Jaganmohini. The sisters complemented one another throughout Kalpaneshwar.
He sang ‘Koluayyunade’ in Devegandhari subsequent time. They used to deliver out poignancy in ‘Durmargchara’And have been the most effective in your expression‘Dharmatma Dhana Dhanyamu Divamu Niwai Anandaga’.
In Chenchu Kamboji, a surprising ‘Vara Raga Lea’ was marked by singing synchronized of Chittasas. Following an in depth efficiency from Bilhari, the place the sisters sang ‘Dorkuna Ituvandi Seva’. He adopted an artworityThis allowed them to show the most effective phrases of the raga. Nonetheless, it was fairly clear that sisters require extra expertise in the case of Manodarma. M. The violin appropriate by Vijay was clear -sutra, and he was effectively caught to the grammar of the ragas.
The singers concluded the live performance in Ahai with one other Tyachagraj Kriti ‘Sompaina Mansutho’.
Senior artists Pongulam Subramanian and Krishnan have been with younger sisters on Mridangam and Morsing respectively. Their Sangat, Sarvalaghas, Pressure, Nadis and KorvisReminded one of many conventional model of enjoying.
Printed – 04 February, 2025 02:53 pm IST
