JFrom those twelve designers who showed their work on the first day, this year is going to be a lot to take your wardrobe from penis fluid Palazos to pointed street wear. Sustainability was a theme that went through the collection, the designers emphasized the value of slow fashion, and the importance of making previous clothes.
The event was held at the beautiful old Diggi Palace in Jaipur, which returned in the 19th century. Now a heritage hotel, it remains a house for the family that always owes it. With the expander lawn and complicated spaces, it gave the show a fluid background. In the evening, in addition to the model spotlight, a ramp was burnt by hundreds of flickering candles.
Click here to see the line up of day 2
Arjan Dugal FDCI Mainewear weekend makes his debut in 2025, unveiling a collection ‘Vintage 2030’, which pulls the past and future through a contemporary lens.
Drawing from Heritage, Arjan Dugal’s line Jordoji embroidery, leather goods and first, introduces a footwear line to celebrate Indian craftsmanship.
Abhishek provides a hybrid between a zero traditional and contemporary styles by the philosophy of Patni.
The son of the latest collection of a great snob has geometric forms and floral patterns, which are rebuilt in a fluid, deformed manner.
The prints used in the son of the new line of a Nobel Snowobe, used a mixture of anti -forces, a mixture of linen and print and surface manipulation techniques.
Vivek Karunakaran’s fabric by VK is a celebration of identity, and the line is slowly wrapped in veshtis, fluid palazos and embroidered Madras checks, which are all contained in Tamil Nadu, especially Chennai.
His latest row is inspired by Thirukkural, which is re -made in natural fibers such as silk organa, tafa, linen and Egyptian cotton.
In the lace center, the male Ujjaval Dubey’s Exuberant, lower the runway in the Antar-Agni by the penis fluid collection, titled Right Back.
Ujjaval Dubey’s fabric has odd lines in the fire-fire, and the structure with liquidity, ivory and carmel-like structure in soils.
Nitin Bal Chauhan, who is from Chamba, is inspired by Devi Kothi, one of the oldest wooden walls of India, dedicated to Goddess Chamunda for her 2025 collection.
Small paintings of the Devi Kothi temple are painted by hand on the hoodie using air ink-a ink made from collecting carbon emissions of vehicles in the Hoody and NCR, used with Nitin Bal Chauhan.
In the line of Pawan Sachdeva, cotton and denim are treated with specific washes and dynamic brush strokes, adorned with all handwritten quotes.
Pawan Sachdeva is known for his love for patterns, motifs and technology.
The “On the Road Again” collection by designer Samanta Chauhan balances the boldness of the motorcycle culture with the elegance of contemporary menwear.
Rohit Gandhi and Rahul Khanna embraced a quiet luxury, inspired by the palaces of Rajasthan, with their marble and textured sandstone.
Varun Bahl lives up to his monkey ‘The Cottage of Flowers’ with this romantic, complex designed collection.
JJ Valaya founded The House of Valaya in 1992, and is known for his glamorous, Offulant clothes.
This year, Shantanu and Nikhil take Drape to their real Frontier: The Bottoms. The desert dholis, layered skirts of wandering tribes, the structured Regalia of the Maharaja – all were converted into a powerful wardrobe and re -added.
In this collection, Culottes, billing trousers, and assembled pants become a new insignia of Shantanu and Nikhil Man.
Published – February 21, 2025 05:43 pm IST
