Jaikishore Mosalikanti presents a vibrant tapestry of music and movement

Shivmohanam Trupe performed at the Sangeet Academy under the leadership of Zikishore Mosalikanti: K. Pitchhumani

The Rasikas made the time and effort to see the performance when the performance meets their expectation. This was an experience of beauty happiness that one got, while Jai Kishore Mosulikanti of Kuchipudi and his Shivmohanam School at the Dance Festival of Sangeet Academy, looking at the group presentation ‘Triyambam’.

The show was conceptualized on the three aspects of the dance – Narta, Nriti and Natya – and the three goddesses revolved around the subject of Goddesses, ie Saraswati, Lakshmi and Durga. As stories related to each goddess came out, which was constant, it was a rich tapestry of music and movement.

“Or Kundandu TusharaHara Davla ‘, popular Muthuswamy Dixit Krishna’ Shri Saraswati Namostuhe ‘in Arabic after a simple obedience to the goddess of knowledge. Simple choreography and synchronized dancing by four artists highlighted the characteristics of Saraswati.

The story ‘Sri Udbhavam’, the story of Lakshmi and the Kshirshagara mantra episode went to the conclusion of the goddess’s emergence from the ocean, Lakshmi and Vishnu’s wedding.

Jikishore entered the story as a narrator, but soon the mountain became Mandra. When the snake was being drawn on both sides to churn the sea, the circular spherical movements of Gikishore increased the appeal of the episode. In the sequence of marriage, singer was appealing beautiful depiction of the singing and rituals of singer Adithya Narayanan. The song for this was by Pappu Venugopala Rao and the music was performed by Kuldeep Pai.

The presentation was based on three goddesses. Photo Credit: K. Pitchhumani

The way the story of Durga and Mahishasura was depicted and the lines of ‘Jaya Jaya Darge’ (singing many people) were avoided.

The main attraction of a kuchipudi recurrence is always shake, or dances on a brass plate. Performed by a male and four female dancers, Tharangam was choreographed with meaningful stay and loud groups and single movements by Narayan Thanha. A Thailana was designed for a pleasant closing in the raga Bindavani by Ramesh and Jakeishore.

The show’s contribution to the show was very large, which was very large, singing of Svete Prasad, pronunciation of Aadithya of Jathis, BP Haribabu’s stroke on Mridayangam of BP Haribabu, Ejar Ramkrishnan and B. Muthukumar’s melodious violent violent and marked with flute. Padmavani Mosalikanti, Ala Venugopal, Vedya Sparti Konda, Sathvika Reddy, Lakesmi Raghunath and Srismohna Mosalikanti survived the choreography with their dance.