Meenakshi Srinivasan brings alive vignates from the life of Krishna

Meenakshi Srinivasan performed verses from Srimad Bhagavatam.

Meenakshi Srinivasan, in association with Karthik Fine Arts, opted for a soft inauguration for her thematic performance for the dance festival organized by Kalwahini. She began with ‘Krishna – born as a savior’, after a poem by Shrimad Bhagavatam ‘Atha Sarva’ after Swati Tirunal work in Ragamalika (Roopak Tal). ‘Kalyani Khalu’ brought happiness because it showed examples where Krishna saved his devotees.

Mahesh Swami’s gaps on the flute were sweet. The music team has given M. in Shanmugapriya, etc. He worked very hard in Balmural Krishna’s Padvaram ‘Omkara’, and Kalyani raga, her hala ragamalika in Adi Tala in ‘Ta Nom Nom Ta’.

Kanyal Hariprasad (Vocal) kept a low profile with his soft raga touching the right notes. Ishwar Ramakrishna (violin) was loyal, while Jayashree Ramanathan (Nattuvangam) played an outstanding role with his non-ghuspath guidance.

Meenakshi enjoyed challenges. When she filled the silence with small beats in Swati Tirunal Kriti, she allowed the interval to stay in the pieces of Balamul Krishna. Vernam, Krishna – M. The incarnation of the highest consciousness composed by Balamural Krishna, was difficult with Charanam vowels starting after a beet. There were also gaps within the vowels that Hariprasad and Meenakshi followed. The dancer has an intimacy for the steps of Lasya-forth Thi Thai Thai Thai Adavas, Lo Aramandi, round weapons and agility marked her Nrita. It is a type of brief form, which is the vocabulary of the movement of the body within it, so to speak. Even Vedakrishna Rama responded to this ‘Lasya’ style, which was softening the tract.

The mood of Varna was contemplated. This incarnated the abstraction of Krishna to the incarnation of that pure consciousness. The nature that came alive with the presence of Krishna was a wide Sanchri, as Krishna’s worldopo vision for Arjuna in the battlefield. Meenakshi’s liquid eyes captured devotion to the musician.

Kshatray Padam on Krishna’s Veeraha ‘Yamisyudu e Mohamu’, a surprising Charuksi, Mishra Chapu, was tuned by Hariprasad, brought out the sadness of the songs. With the help of Mahesh, Meenakshi was subtle, as he made emotions. Efforts were made with Krishna every evening.