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Welch’s marketing has seen a gear shift in recent years, with packaged foods marketer Once known for TV spots which have uncertain tots Embrace experienced activities like a fast truck and, recently, a pop-up spikes is hidden inside a New York City Bodega.
Millennial-friendly pivot is operated with a desire to be associated with more than grapes, with welch Pass through a rebrand And widening your product classification to include canned cocktails and like prasad A line of zero-sugar juice Started in August. Concorde, Massachusetts-based welch, which is more than 150 years old, is still owned by the agricultural cooperative of grape producers, but this does not mean that its marketing needs to be fed.

Welch CMO Scott Utke
Permission given by welch
Specialheading marketing charge is CMO Scott Utke, who joined Welch about four years ago after the former stent in CPG veterans like Campbell and Craft. Marketing dive worked with UTKE at the Zero Bodga Speaksi of Welch in late January to discuss the agencies and retail media, along with its developed perspective, as well as the big brand-beding mandate of the executive. After the interview, Welch confirmed that it was putting Creative roster for your sparkling juice portfolio under review And after those duties, an agency-off-riddled model implements a big innings-the ribrand also included-the first was handled by Fitzco.
“Our various platforms – juice, spred and sparkling – all have different creative requirements, so we are away from working with the same creative AOR to ensure that we can ensure that we each needs every diverse needs Completing to, “YouTK said in a following. -The email. “We are specially excited to find the right partner for our sparkling business, bringing new ideas and creativity to this important part of our portfolio.”
The following interview is edited for clarity and brevity.
Marketing Dive: It has been slightly over a year since the ribrand of Welch. What strategic goals did you have and what is the progress when those goals are made?
Scott Utke: It was a long time since we changed anything. When we talked to consumers, they had a lot of passion for the brand, but they were rooting to do something different for it. It felt like a little bit. We knew we had an opportunity in the context of repositting, but how do you bring it visually? This was not done in the past.
The packaging work was beginning. Across all our packs, we added the imagination of real fruits, we changed the logo and we wanted to get our message about producers on the side of the pack. It took about one and a half years. In addition, we had a new advertising campaign, “Let’s Fruit Stuff Up.” The goal was to think differently about welch and move beyond grapes. Then, we wanted to fire the innovation engine. We did this first through new tastes, including new passion fruit sparkling. [juice],
Our biggest launch was ready for void sugar of Welch. This is now the biggest launch that I can find in the history of Welch in terms of investment.
When you think about a big media investment, now is the different lever you draw is 10 or 15 years ago?
It is still about getting awareness and testing. We do it differently than the past because most of our media purchases are going to be digital. This is the second piece of this: How do consumers get more in the product? We did TV, but we did it through some sponsored spots with Kelly Clarkson and partnership with product on air. We also dubbed in podcast. We worked with Dax Shepard’s “Armchair Expert”, where they made some voice-overs and advertising around zero sugar.
Zero Bodga will experience that we are sitting in today, which consumers are getting to experience the first hand of the brand. It has always been a strange brand. We are still taking advantage of this and trying to bring it into life.
I have read about the report CMO budget declinesWhen you talk about your biggest campaign launch, do you think you have more resources or do you have to be frugal?
When I came to Welch, we were outlined as a brand. I had to make the case a matter of what should be the appropriate part of our expenses. We agreed on what this number looked and what would be this rhythm over time. We have a few years under our belt, to be able to make that our investment is against the brand and then we have to make a decision: if we are going to launch a big, then we draw the dollars and a lot Do one thing really well instead of spreading in small things.
We have a pipeline of other innovation ideas that we are falling under the pike, but we have a commitment from producers and boards that we continue to invest behind this business so that we can spend at a healthy level.
“Many small things” seems more common to attach.
There is bilateral from the perspective of media. There are too many options and very more ways to reach consumers, which I think is really a good thing. This allows you to get closer to consumers and make more target. But you are right, when it comes to the dollar, we will really have to be optional that we are going to fulfill that condition and how we are growing over time.
How much experience did the brand do in the past?
We have not found any good example that has been done in the past. For the first time in June, we put our toe into the water. We Done a fasting truck for Rosa DayWe made a small start in Boston and it did some things for us: One, it made us realize how much brand we have in that area. We said, “Man, if we can do this on a large scale, it would be great.” It is not only talking about the products that we sell, but also what you can do to them. This created all these new use opportunities.
With zero launch, as we were talking about the most understanding, such a pop-up has a consumer angle, but it is also about being close to the media, the affected people Getting closer Since New York is a hub, this place understands a ton.
Our agency superdijital and my marketing team had a lot of fun with Speaksi. You have a traditional store on the other side and then, on this side, we wanted a disclosure, almost “The Wizard of Oz” was going into color with black and white. This brand is more than 150 years old, it has found a rich history. When we are moving in new directions, we still want to hear what people know us.
Are there a target audience for experiences? Is this a market that was earlier an understanding?
If you look at the overall of Welch, we were a little of an old brand. We had an old consumer. We are looking at those next generations, whether it is millennial or gene jade in the context of the total brand. When it comes to zero, what we found is more than the partition of those who are looking for some sugar. We appeal to anyone who is looking for Chinese and wants the taste of full-taste.
You have mentioned the superdijital handle experienceal stuff and Fitzco Creative. Is it an agency of record appointment?
it is. We use many agencies, but Fitzco In the context of Big Relvanch, “Let’s up the fruits up”. Generally, they are our record agency, but we are flexible.
The way a heritage market is very different today, like Welch’s approach agency relations. Aor can mean a different thing.
one hundred percent. I think in the traditional sense, Aor you will have an agency that works on all your business and you will work with them for many years. The way we see it now, it is fit for the purpose. Fitzco was fit for the purpose because we were restarting the brand. What we liked about them is that they understand this task and they had passion for our brand. Our next innovation, we can go in a different direction.
This can be a little selfish from our side, but we want to find the best work for the brand. We have to use our dollar very efficiently. We are looking at the touchpoints that are most understood. Some of those things can be through an agency and retail media network and national media so that we can get the right access, but then there are areas where we want to be distinguished. We want flexibility to be held for a old standard of living with the same agencies over time, but make sure to bring the best and talented to work.
Retail media is growing rapidly and CPGs are wondering whether the sophistication can keep pace with investment levels. What do you see as the biggest challenges and opportunities?
The biggest opportunity is that a lot of retail media networks have a direct connection with the consumer and the passage of the purchase is well defined. For example, a person like Walmart has a lot of reach, they are very efficient to understand who their consumer is and they can give us the appropriate amount of data to understand the return at advertisement expenses and how much will be changed to purchase. Used to be.
Over time, we are trying to balance brand manufacturing opportunities with constant sales and sales. It is a challenge to find out that the balance is that it comes to retail media, it seems so conversion based. He and old age.
Are you active on Tikokkok and what do you make a ban on all this?
Tikokkok is not one of our biggest channels, but it is an area – especially as we talk about showing with the right generation – where we need to be 100%. At the end of the day, the consumer will get a solution that is either a separate version of Tikok, which means another owner, or they will find another medium to enjoy the same advantage that Tikok provides today. For me, this time is a place in hiccups. I do not see it as long term anxiety.
How do you contact Artificial Intelligence?
We always try to try 10% of our budget that we have never done before. There are already some capabilities that we are now watching with AI and it is going to continue. Strategic thinking that is necessary and the level of understanding of our consumer, AI is going to take some time to learn complications.